Imago 22

Indice

Enrico Carocci and Adriano D’Aloia, Designing Spaces, Enacting Stories: Embodied Ecology and Media Experience

I. Enacting Diegesis

Steffen Hven, Narrative Architectures and the Diegesis-as-Environment

Elio Ugenti, Exploring Media Space in a Narrative Way: The Ongoing Desktop Narration Between New Digital Media and Contemporary Cinema

Luis Rocha Antunes, The Viewer’s Point-of-View in Fleabag: Constructing a Perceptual Participation in the Narrative Space

Francesco Sticchi, Enacting the Neoliberal Turn: Exploring the Narrative Architectures and Ecology of The Deuce

II. Building Stories

Yanna Popova, Narrativity and Metaphor in Architectural Form: An Enactive Engagement

Alex Whee Kim and M.C. Overholt, En-actors at the Vessel: Architecture, Neoliberalism, and Queer/Crip Refusal

Philipp Röding, Requiem for One World Observatory

Cosetta Saba, Self-operating Machines in the Art Practice of Philippe Parreno

III. Gamifying Interactions

Vito Zagarrio, Il corpo dello spett/attore. La logica ludica e interattiva nei racconti audiovisivi contemporanei 

Elisabetta Modena and Andrea Pinotti, Making Room for the Story: Storytelling and Interaction in Virtual Environments

Francesco Toniolo, Gardens (of Eden) as Narrative Meta-spaces in Video Games Saggi

Saggi

Alessandro Nardis, Le correnti neoaristoteliche nel cinema americano nel periodo 1915-1940

Lorenzo Uccheddu, These ruins are full of riches. Utopie del cinema post apocalittico contemporaneo

Recensioni

Michele Cometa, Cultura visuale. Una genealogia di Andrea Rabbito

Francesco Pitassio, Neorealist Film Culture, 1945-1954: Rome, Open Cinema di Lorenzo Marmo

Jussi Parikka, Archeologia dei media. Nuove prospettive per la storia e la teoria della comunicazione di Giuseppe Gatti

Lingzhen Wang, Revisiting Women Cinema: Feminism, Socialism and Mainstream Culture in Modern China di Cristina Colet